PINK HORIZON 2018
       
     
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STOMATA 2018
       
     
PANORAMA 2018
       
     
YOUR SKN TOUCHES MY SKIN (SUBMERSION) 2018
       
     
YOUR SKIN TOUCHES MY SKIN (SUBMERSION) 2018
       
     
RESTING PLACE 2018
       
     
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PINK HORIZON 2018
       
     
PINK HORIZON 2018

Solo show

Material
Sculpture, installation, drawing, photography, collage
Information
Pink Horizon develops ideas of the body and the landscape by considering the body in relation to phenomena of place and temporal moments of shifting light. Pink Horizon interweaves ideas of corporeal and geographical topographies to create a gap of possibility. Lacking a specific wave on the electromagnetic spectrum there is no visible light that looks pink. An invention of vision, pink light falls into the gap between red and purple. This gap contains all things in the universe invisible, including radio waves, microwaves, infrared gamma rays and X-rays.

The presented works range across various levels of visibility, where some are visually abundant others need to be scrutinised to become present. Some works ‘scratch’ the eye, demanding the viewer to be attentive. Others ‘stroke’ – resting on vision and bodies as they pass - revealing the fleshiness of seeing as an interactive meeting place within a nomadic terrain.

Alongside philosophical poetics of the un/seen there is a formal investigation at play – What is the skin of sculpture, and how can sculpture disrupt its own form?

Exhibited
Oberwelt, Stuttgart, DE (2018)

Photo credits:

Traci Kelly, Marco Teschke, Matthias Müller, Mel Kirkham

Enquiries: tracikelly.artist@gmail.com

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STOMATA 2018
       
     
STOMATA 2018

Material

Series of pencil drawings on photographic paper with incision using medical scalpel and ‘natural’ coloured hosiery.

Information

Stomata continues an interest in resistant materials. The photographic paper reluctantly accepts the mark-making of pencil, requiring an amount of pressure that is close to gouging. The outcomes resemble sections of digestive tracts and respond to a time when the artists father was recovering from colostomy surgery. The work continues a dialogue around skin un/boundaries and the hosiery selected for its colour trade name of ‘natural’ draws attention to the cultural and medical privileges embedded in dominant views of ‘natural’ in which it is equated to whiteness.

Dimensions

A3+

Photo © Traci Kelly

Enquiries: tracikelly.artist@gmail.com

PANORAMA 2018
       
     
PANORAMA 2018

Material

Series of prints of medical x-rays of sculpture

Information

Small sequin sculptures were placed on a 360º x-ray bed, creating a full panorama of their invisible life as a drawing.

Dimensions

A4

Photo © Traci Kelly

Enquiries: tracikelly.artist@gmail.com

YOUR SKN TOUCHES MY SKIN (SUBMERSION) 2018
       
     
YOUR SKN TOUCHES MY SKIN (SUBMERSION) 2018

Material

Polystyrene, metal tape, dress-making pins, sequins

Information

A developing cluster of varied sizes sculptures with hand-pinned sequins. They reference the landscape and the body, influenced by pinned blasted rock and the bouncing light of sun on sea (observed in the landscape whilst on residency at USF Verftet, Norway 2013) and the artists own troublesome skin conditions. Their scaly skins , absorption of passing material and bodies into their surface and the reflection of light form part of an ongoing enquiry into how sculpture may subvert, extend or deny its own form.

Dimensions

Variable

Photo

© Traci Kelly

Enquiries: tracikelly.artist@gmail.com

YOUR SKIN TOUCHES MY SKIN (SUBMERSION) 2018
       
     
YOUR SKIN TOUCHES MY SKIN (SUBMERSION) 2018

Material

Polystyrene, metal tape, dress-making pins, sequins

Information

A developing cluster of varied sizes sculptures with hand-pinned sequins. They reference the landscape and the body, influenced by pinned blasted rock and the bouncing light of sun on sea (observed in the landscape whilst on residency at USF Verftet, Norway 2013) and the artists own troublesome skin conditions. Their scaly skins , absorption of passing material and bodies into their surface and the reflection of light form part of an ongoing enquiry into how sculpture may subvert, extend or deny its own form.

Dimensions

Variable

Photo

© Traci Kelly

Enquiries: tracikelly.artist@gmail.com

RESTING PLACE 2018
       
     
RESTING PLACE 2018

Material

Mirror, dead bee

Information

A dead bee rests on a mirror within the installation of My Skin Touches Your Skin (Submersion). Each sequin sculpture in the installation requires much repetitive labour in the pinning of individual sequins. The bee is a stand-in for the female worker represented across various pieces via the bee, honey or beeswax.

Dimensions

Ø4cm

Photo

© Traci Kelly

Enquiries: tracikelly.artist@gmail.com

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